![]() Luhrmann explained in a telephone interview this week. ![]() “The ‘special effect’ in this movie is seeing fine actors in the prime of their acting careers tearing each other apart,” Mr. It might also supply what has been missing in the Oscar season - the heat of a film that decisively breaks a barrier, like “Gone With the Wind,” the first all-color best picture, or “The Lord of the Rings: The Return of the King,” perhaps the first Oscar winner to be anchored in its make-up and fantasy effects. If “The Great Gatsby” succeeds, it may open the door to a new generation of sophisticated movie dramas that will match the spectacle value of the animations (“Happy Feet Two”), action films (“Underworld: Awakening”) and elaborate fables (“Hugo,” “The Adventures of Tintin”) that now fill Hollywood’s 3-D release schedule. Luhrmann with his long-time collaborator Craig Pearce, will tell whether 3-D can actually serve actors as they struggle through a complex story set squarely inside the natural world.
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